Longreads + Open Thread

Chocolate, Money, Jünger, Victorians Again, Disagreeability, CDS, Disruption, Heavy Water

Longreads

Books

D: Heavy Water: In The Onion's parody history book, there's a fun bit in the 1930s about how people are distracting themselves from the Great Depression by reading light escapist literature by H.P. Lovecraft. As weird and sometimes disturbing as the present is, it's good to look back and remember that the 1930s were a lurid fever dream during which it felt like our whole civilization was coming apart—totalitarian states gearing up for war, global economic misery, and early inklings about fantastically powerful weapons.

Historical fiction is a fun genre because the real world has so much obscure weirdness. At one point in the book, there was a character who was so cartoonishly weird that I just had to know who, in the real world, had pulled off what their character did in the book. But that character turned out, improbably enough, to be a real historical figure (this means Wikipedia is a source of spoilers, and I now know that in the sequel, he's going to die will defusing a bomb).

The core of the story is the removal of Norway's stockpile of heavy water before the Nazis could seize it for their nuclear weapons program. As is common in Stephenson's novels, there are parallel bits-and-atoms challenges: on the informational side, we end up with various plot-driven reasons for characters to drop some exposition on the physics of atomic weapons. But there's also a very interesting section (particularly interesting in light of Covid and other gradually-then-suddenly disasters) of how long it took ordinary people in France, and even French leadership, to realize that they were losing the war, and fast. This is the kind of historical event where it's incredibly convenient to have fictional characters act as stand-ins for the reader, to narrate just how weird things are getting.

And this time period was, indeed, weird. There really was an anti-fascist alternative Olympics in 1936, and it really did get canceled in the middle of Pablo Casals conducting a last-minute rehearsal of Beethoven's 9th because of the outbreak of the Spanish Civil War. In a work of pure fiction, this is just too heavy-handed a metaphor for the sudden unraveling of civilization, but history repeatedly gets away with things no novelist could pull off.

Open Thread

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